Top ten fashion brands - Fashion jobs in south florida.
Top Ten Fashion Brands
- Historically considered a masculine habit, the feminization of smoking occurred in tandem with the advent of fashion brands or premium brands of cigarettes specifically marketed toward women who see the use of these brands as a way to increase or enhance their sexual appeal.
- TopTen is an Estonian record label which has started the career of a number of successful Baltic chart acts, including the internationally successful girl group Vanilla Ninja, who are currently the label's most successful act.
- Top Ten is one of the many spin-offs of Horrible Histories. Each book is made up of ten short stories made with a common theme, author or (cultural) background. The books retell the stories in as abridged versions, shortened to appeal to younger readers.
- Top 10 is a superhero comic book limited series published by the America's Best Comics imprint of Wildstorm, itself an imprint of DC Comics.
10 Minutes/10 Years: Your Definitive Guide to a Beautiful and Youthful Appearance
If you've already had three facelifts and are desperate for the next fix; if you're thinking of going under the knife, but hoping you don't have to; if you need specific, detailed information about how to get rid of the bags under your eyes or those ever-deepening wrinkles if you've tried everything and no skin care treatment has worked, Dr. Frederic Brandt's simple, streamlined system is for you. With 10 MINUTES/10 YEARS, one of the world's most famous cosmetic dermatologists offers a revolutionary skin program that will only take you ten minutes a day. There is a skin care revolution taking place; the days of washing your face with soap and water and slapping on some cream are long gone. But this means that skin care isn't simple anymore. As new products appear seemingly overnight (some of them good, some of them terrible), it becomes harder and harder to know what's right for your skin. Dr. Brandt wants to make you a more educated consumer so you know exactly what to ask for when you go to your dermatologist. He wants to help you know who to go to, and who not to go to--go to a facialist for facials, for instance, but not for in-depth skin care advice.If you find yourself in what Dr. Brandt calls "the Bermuda triangle of skin care," you need a system for success. In 10 MINUTES/10 YEARS, a uniquely formatted, easy to use book, Dr. Brandt makes available all of his time-tested skin care know-how--and he does it with warmth and humour. There is no one-shot solution - we are constantly aging, and we have to keep maintaining ourselves. 10 MINUTES/10 YEARS is Dr. Brandt's targeted approach to this maintenance. His system has already helped thousands of people look younger, and now readers will have their own one-way ticket back to a youthful appearance.
Brand Schmand. Or, "At the third stroke it will be Ten - Ten - Precisely"
Ah watches, watches. They suck me in. Every so often I get the urge to get a new one, I don't know why. I have always been interested, nay fascinated, by watches. I clearly remember Christmas Day 1980. I was sat in church with the good and the faithful. I wasn't listening to a word the priest was saying. I never did but on this day I was even more tuned out than usual. I sat there in some sort of state of rapture, staring at the digital watch I had been given that morning. To me at the time it was unbelievably exciting. It was digital! It had a stopwatch!! It was digital!!! Obviously before going to the yawn-fest that was church, I had rung TIM, the speaking clock and, poised like some demented coiled spring, pressed the Seconds Reset button exactly on the third stroke. In my young boy’s heart I knew the watch would still be telling exactly the right time the following day. WOW!!! And I think even at that age I knew this was down to a little computer inside the watch counting up every 32,768 oscillations of the tiny quartz crystal, and advancing the time accordingly by one second each time this number of oscillations was reached. Imagine all that happening in this small metal casing on my wrist.
Over the years I have progressed through various watches, mostly digital, a few analogues, a few digital – analogue combos, but all quartz. I did once nearly buy an Oris mechanical watch because I really liked the clean, minimal design of it’s face. But once I learned that the thing might manage an accuracy of +/- 30 seconds a day I recoiled in horror. 30 seconds a day??? I was Mr Precision when it came to watches. I was Mr 32,768 cycles per second. And for this mechanical nonsense I was being asked to part with several hundred quid. And so was revealed to me in full the concept of watches purely as status symbols. Hey, it doesn’t matter if it’s hopelessly inaccurate by modern standards and expensive. The hopelessly inaccurate movement has been handcrafted in Switzerland. Um, yeah. I don’t care actually. *
So on I went through a few more watches. And by far the most common make among them was Casio. That very first Digital that had me in it’s tractor beam in church back in 1980 was a Casio. I suppose that instilled some sort of brand loyalty. There has been the odd Seiko along the way in the subsequent years, a Pulsar, a couple of Junghans and even one brief flirtation with a Breitling with it’s attendant massive price tag. But I have to say that the humble Casios have always won the day. They have been the most durable and dependable. I guess many will consider it a cheapo brand, and while their range does start at ?8.99 it does go up to around ?500 for models that simultaneously tell the time in every country in the world, can calculate the trajectories of the nearest 6 planets, are waterproof to 900m, contain barometers and compasses, will synchronise themselves to any of the atomic clock signals around the world, withstand a direct nuclear strike, notify you when you’re running low on milk, counsel you on your recent bereavement, translate to or from Latin and de-louse your dog. In the more recent years I have gravitated to the G-Shock range of watches, in particular the ones that are radio controlled and solar powered. For me they are the perfect time pieces. They don’t need battery changes, always tell the exact time to the second and can be smashed repeatedly against hard objects with no ill effects. None of this nonsense of hand winding your expensive Swiss wrist porn so that it can tell you what the time isn’t.
Here is the latest addition to my collection. Shown - in traditional fashion – at the ten past ten hands position. I did some brief Googling as I was curious about this apparent rule that all watch ads must show the hands at this time. The reason? Well, allegedly it’s so that the hands neatly frame the top third of the face where the watch maker’s name is normally to be found. If anyone has other information or theories on this hands position do tell me.
Possibly interesting facts :
Whereas your quartz watch keeps time by counting every 32,768 oscillations of a quartz crystal, atomic clocks (to which watches like the one above synchronise themselves each night) measure each second by counting up every 9,192,631,770 cycles of radiation corresponding to the transition between two energy levels of the caesium-133 atom. Apparently the accuracy of this type of clock is +/- 1 second every 30 million years. How was this accuracy fact established? Did two scientists compare their atomic clocks and say, “Well, I set mine to TIM back in 1986, so did you. I’ve got 10:17 and 5 seconds. How about you?” and then extrapolate the rather small difference between the two clocks out over the next 29,999,975 years? But who would know which atomic clock was right in the first place? Basically, I am struggling to know how you measure that sort of accuracy.
Uses of this hyper accurate time keeping include
Ike Turner and his King Of Rythm feat. Clayton Love - She Made My Blood Run Cold (King 5553 promo) on Vimeo by boogaludo
fliped with ''The Big Question'' issued on King Record in 1961 and formely also on Federal 12297 in 1957.
Biographyby Steve Huey
Ike Turner is certainly one of the most dehumanized figures in rock history. Mention his name and the first association that comes to most anyone's mind is "abusive husband," not "soul star" or "rock & roll pioneer." According to legend, Turner was a tyrannical ogre who used physical violence and psychological intimidation to control his infinitely more talented wife Tina, while indulging his own appetites for cocaine and women at every turn. That's not entirely accurate, although by most accounts Turner did quite a bit to earn that reputation; he spent time in prison due to his drug problems, and his own refutations of Tina's allegations of abuse have been inconsistent at best over the years. Still, this view of Turner as villain does a disservice to his very real musical legacy as an instrumentalist and bandleader. As a pianist in the early '50s, Turner helped lay the groundwork for rock & roll; he was also a distinctive guitarist with a biting, nasty tone, and was one of the first to make the whammy bar an integral part of his sound. It's true that he was nowhere near the singer Tina was, and it's probably also true that she was his ticket to stardom; moreover, his songwriting, while sometimes inspired, often possessed a generic quality that made consistent chart appearances difficult. But as a bandleader, his disciplinarian approach -- when it wasn't manifesting itself in darker fashion, that is -- resulted in undeniably tight, well-drilled ensembles and some of the most exhilarating live shows the R&B world ever saw -- centered around Tina, yes, but spectacles nonetheless. If Turner isn't exactly the most defensible character around, in the end his musical strengths and weaknesses deserve the same objective appraisal as anyone.
Izear Luster Turner, Jr. was born November 5, 1931, in Clarksdale, MS, the heart of the segregated South. His father was beaten to death by a mob of angry whites, and growing up in a hostile environment unquestionably hardened Turner. He found his calling in music from an early age; he learned boogie-woogie piano firsthand from his inspiration, Pinetop Perkins, and as a teenager talked himself into a DJ slot on the local radio station, where he played everything from the jump blues of Louis Jordan to country & western. He formed his first band while still in high school, and by the late '40s had assembled an outfit dubbed the Kings of Rhythm. In 1951, the Kings of Rhythm traveled to Memphis to record at Sam Phillips' Sun studio. Their original tune "Rocket 88" (actual authorship is still disputed) was recorded with a lead vocal by sax player Jackie Brenston, and as a result was released under the name Jackie Brenston & His Delta Cats, not Ike Turner & His Kings of Rhythm. "Rocket 88" zoomed to the top of the R&B charts and is today regarded by many critics as being quite possibly the first true rock & roll record. Brenston subsequently departed for an unsuccessful solo career, while Turner and his band became session regulars around Memphis; they went on to back legendary bluesmen like Howlin' Wolf ("How Many More Years"), Elmore James, Otis Rush ("Double Trouble," "All Your Love"), Robert Nighthawk, Buddy Guy, and Sonny Boy Williamson II, plus an assortment of Sun artists. During the early '50s, Turner switched from piano to guitar, and also doubled as a talent scout for the Bihari Brothers' Los Angeles-based Modern Records, where he helped get early breaks for artists like Howlin' Wolf and B.B. King.
During the mid-'50s, Turner moved the Kings of Rhythm to East St. Louis, where they rose to the top of the local R&B circuit; Brenston rejoined in 1955, and the group also continued its session activity. Turner sometimes issued records under his own name on labels like Flair, RPM, and Federal, also using the aliases Icky Renrut and Lover Boy. Adopting a revue format for their live performances, the Kings of Rhythm worked with a revolving group of vocalists during this period. One was a teenaged singer originally from Tennessee named Anna Mae Bullock, who met Turner in 1956. She joined the revue, and moved into Turner's house after becoming pregnant by the band's sax player; soon, she and Turner began their own relationship and had a child of their own, marrying in 1958.
Renamed Tina, Turner's new (and latest) wife got her first chance to sing lead on a recording in late 1959, cutting "A Fool in Love" for the Sue label. Released the following year, the song was a runaway smash on the R&B charts, peaking at number two. Turner realized he'd discovered a potential breakout star, and reshaped the band into the Ike & Tina Turner Revue, with Tina now the centerpiece of the act. It took a little time for all involved to get t
top ten fashion brands
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